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Planning the Gardens

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James de Rothschild, the son of the ‘Well-known Benefactor’, chose this spot on the landscape for the mausoleum for his parents, Adelheid (Ada) and Edmond (Binyamin) de Rothschild. From the beginning, he set clear guidelines for the design:

  1. It must fulfill his father’s wish to be buried ‘in the rock’ at the edge of Mt. Carmel;
  2. Hewn into the mountain rock, the Crypt must endure for many years;
  3. Around the mausoleum, there had to be beautiful gardens in bloom year-round;
  4. All the stone and other construction materials were to be sourced exclusively in Israel.

The architecture of the garden was created by Uriel (Otto) Schiller, assisted by the landscape architect Shlomo Weinberg Oren of Kibbutz Yagur, who planned the vegetation. Supervision of its construction was left to the green fingers of the gardener Chaim Lettah of Pardes Hannah, who painstakingly ensured that the architectural plans were properly executed. The Solel Boneh company carried out the work on the site. The artists Rhoda and Israel Traub of Zichron Ya’akov were called upon to fulfill the gardens’ aesthetic demands, and their hand-carved stone sculptures were integrated seamlessly into the gardens.The landscape design of the gardens aimed to take advantage of the site’s unique geographical location: the horizon that opens to the Mediterranean Sea on the west, and to the Samarian hills to the east. The picturesque houses of Zichron Ya’akov to the north are a reminder of Baron Edmond de Rothschild’s huge efforts to establish and support the Jewish settlement of the Yishuv.

The Memorial Gardens were founded on dual principles: On the one hand, they are essentially a burial site; on the other, they welcome thousands of lively visitors annually. This stark contrast between life and death takes shape in other ways in the gardens:

  • Enclosed spaces vs. everchanging ‘windows’ that open to distant vistas
  • Intensively cultivated areas vs. expansive lawns
  • Highly formal garden styles vs. freer, more naturalistic ones
  • Ornamental plants vs. wild (native) ones
  • The interplay of light and shadow
  • The flow of water, symbolizing life, spraying from fountains, traversing terraces and rills, connecting to the great sea and bringing it into the garden.
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The Crypt was hewn in the rocky area at the highest part of the site, surrounded by secondary gardens that have their own individual styles:

  • The European-inspired Rose Garden, characterized by symmetric, formal rose beds and graced by water fountains, a stone pergola, and a sundial also made of stone;
  • The Palm Garden, a collection of some 20 species of palms and similar plants;
  • The Cascade Garden, an Italianate creation that looks out on a vista of the Mediterranean Sea;
  • The Fragrance Garden, which invites visually-impaired visitors in particular to share its sensory pleasures;
  • The Iris Garden, comprising a rare and fascinating collection of irises.

A tour of the Memorial Gardens’ extensive grounds is an experience for all the senses, for people of all ages and interests, and it is accessible to those with limited mobility.

Of further interest...

Accessibility

Accessible Trails

We have worked hard to make our buildings, infrastructure and service accessible to special sectors of the population so that everyone can enjoy an accessible and enjoyable visit to the Memorial Gardens and Nature Park.

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Sustainability

Horticultural Therapy at Ramat Hanadiv

Many studies have demonstrated the link between a green environment, nature or flowering gardens and feelings of calmness and serenity, enjoyment and vitality

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Dining Here

Dining

To complete your Ramat Hanadiv experience, you are cordially invited to enjoy the culinary pleasures of Mata’im, the cafe-restaurant on our premises.

For further information >>